Journey Art Supplies Blog
Tips, Tricks, Thoughts, and inspiration from across the art spectrum.
Basic Art Supplies Every Artist Should Have
We know all about that thrill of finding the perfect art supplies—the tools that inspire your creativity and bring your ideas to life. And if you’ve ever wondered what basic art supplies should be in every artist’s toolbox, we’ve got you covered. Here’s a rundown of the essentials that every artist, beginner or pro, should own—and a couple of wish-list items for good measure! A Trusty Pencil SetNo matter what medium you prefer, having a good pencil is non-negotiable. For general sketching, a 2B pencil is versatile enough to handle most tasks. But if you want to dive deeper, add a 6B for rich shading and a 7H for delicate, light lines. A full set offers endless possibilities, and it’s the foundation for any great artwork. Check out our collection of Artist and Drawing Pencils to find the best of the best. The Right ErasersMistakes are part of the process, which is why having two types of erasers is essential:• Kneaded Erasers: Perfect for gently lifting graphite or lightening areas without fully erasing.• Vinyl Erasers: Ideal for clean, sharp corrections without tearing your paper. Plus, they’re long-lasting and resist graphite buildup. Something to Draw OnA sketchpad is your portable studio. Choose lighter-weight paper for quick sketches or a heavier drawing pad for finished pieces. For mixed-media work, choose a pad that can handle ink or paint. And remember, drawing is a cornerstone skill—investing time here benefits every artist. We have plenty of art paper and boards to choose from, right here at Cheap Joe’s! Your Painting SurfaceWatercolor artists need at least 140 lb. cold-pressed paper, available in sheets or blocks. Acrylic painters should grab panels or canvases—and don’t forget to buy extras! Having more surfaces on hand lets you experiment without fear of “wasting” materials. Check out our collection of watercolor paper today! Palettes for Mixing ColorsWhether you’re into watercolor or acrylics, a good palette is a must. For watercolorists, choose one with wells to store colors and a mixing area that’s easy to clean. Acrylic painters can go for disposable palettes or classic options with thumb holes. Our page of painting tools and accessories has everything you need in the palette department. Pro tip: Joe loves using a spray bottle to rehydrate dried watercolor paint—easy and efficient! Quality BrushesGood brushes are an investment that pays off. Cheap Joe’s Golden Fleece Brushes (for watercolor) and Serendipity Brushes (for acrylics) are customer favorites. They’re durable, affordable, and versatile, available in shapes like rounds, flats, filberts, and fans. A solid brush can last for years if cared for properly. Browse our complete selection of artist brushes on our site. Paints That Wow• For Watercolorists: Cheap Joe’s American Journey Watercolors come in 128 vibrant shades, backed by our 365-day return policy.• For Acrylic Painters: American Journey Professional Artist Acrylics offer 60 rich colors to explore. These high-quality paints make your palette pop and your creativity soar. Our full selection of paints and painting accessories is worth spending some time looking through! Wish-List Additions When you’re ready to upgrade your studio, consider these: Cheap Joe’s Easel Table: A game-changer for versatility. It adjusts to any angle for watercolor or pastel and converts to a sturdy H-frame easel for acrylic or oil painting. American Journey Taboret: Organize your supplies in style. Made from beautiful American ash, this rolling storage unit features three smooth drawers, brushed nickel pulls, and locking casters. Shop Cheap Joe’s for All Your Basic Art Supplies This list is just the beginning of what you can explore in the world of basic art supplies. Whether you’re stocking up on essentials or dreaming of your next studio upgrade, we have what you need to bring your art to life!
Basic Art Supplies Every Artist Should Have
We know all about that thrill of finding the perfect art supplies—the tools that inspire your creativity and bring your ideas to life. And if you’ve ever wondered what basic...
10 Fun Facts to Know About Cheap Joe’s
Ever wondered what makes Cheap Joe’s Art Stuff such a special place for artists? Let’s take a little trip behind the scenes and get to know our company, its quirky beginnings, and the creative, art-loving people who make it all happen! Where It All Began: Boone Drug A Humble Beginning Among Aspirin BottlesCheap Joe’s Art Stuff started over 35 years ago in Boone, North Carolina, right inside the Boone Drug store. Joe Miller himself recalls stocking art supplies on a shelf between the aspirin and Ex-Lax. Turns out, this “prime” spot gave artists just the relief they needed! Today, the store still reflects that unique, local charm—and you might even spot some legendary artists on our walls, including works from Cheng Khee Chee, Lian Zhen, and Suzanna Winton, all part of our cherished "Art Hall Wallery." The Art Hall WalleryCheap Joe’s Boone location serves as our headquarters, and walking through the office is like stepping into an art gallery! We’re home to one of the finest collections of art, with pieces from top artists in the business. So, if you’re in Boone, NC, pop by and stroll down our hallway gallery! Our Team of Talented Artists An Artistic Team with Diverse TalentsCheap Joe’s team isn’t just knowledgeable about art supplies—they’re artists themselves! From watercolorists to encaustic artists, our employees have real experience creating art. For those who aren’t artists, we offer seminars, workshops, and product demos, making sure everyone has the expertise to help you find exactly what you need to bring your art to life. A Workshop Studio Worth the TripOur state-of-the-art workshop studio has been called the “Cadillac” of art venues! Students here have spacious workstations, ample lighting, and, of course, our fully stocked art store right next door. And thanks to our high-tech upgrades, every seat is the best seat in the house. We have large flat-screen monitors and an overhead camera, so everyone has a front-row view of instructor demos. No more craning your neck to see the magic unfold! Check out our variety of art lessons and workshops today! Our Guarantee & Giving Back Our 365-Day Unconditional GuaranteeAt Cheap Joe’s, we want you to love your art supplies as much as we do, so we give you a full year to decide. If anything doesn’t meet your expectations, just give us a call at 800-227-2788, and our friendly team will make it right. It’s a promise backed by the best guarantee in the business! Brushes for Vincent: Our Art CharityCheap Joe’s Art Stuff is the proud founder of Brushes for Vincent, a charity that helps bring art supplies to young artists in need. We believe in the power of art to change lives, so every penny you donate goes to orphanages, hospitals, and nonprofits, supporting budding artists who might be the next Van Gogh. A little goes a long way, and you can help us inspire creativity in children everywhere! Behind the Scenes with Cheap Joe Cheap Joe’s Past Life as a PharmacistBefore becoming the art guru we know and love, Joe Miller worked as a pharmacist at Boone Drug. But a gift of watercolor lessons changed everything. Joe was so inspired by that class that he stocked up on quality art supplies and began selling them at affordable prices. And that’s how Cheap Joe’s Art Stuff was born—bringing savings and quality to artists ever since! YouTube University: Cheap Joe’s StyleWant to learn the ins and outs of art techniques without spending a dime? Head over to Cheap Joe’s on YouTube! Our channel is packed with free tutorials and product demos. Whether it’s a quick tip on how to use a “paint pusher” or a full tutorial on stretching watercolor paper, we’ve got you covered. Art Supplies with a Personal TouchCheap Joe’s is renowned for its customer-centered approach, but did you know that some of our exclusive products, like American Journey paints, were developed based on feedback from local artists? Joe himself often collaborated with suppliers and customers to refine products, ensuring his art stuff met the practical needs of creators. It's a personal touch that sets Cheap Joe's apart as more than just a retailer—we’re proud partners and participants of the art community. A Fresh New Website for Easy ShoppingWe recently redesigned our website to make finding your favorite supplies and learning resources easier than ever. From improved navigation to more informative product pages, our goal is to make your online experience as smooth as possible. After all, finding the right art supplies should be a creative journey, not a frustrating scavenger hunt! Whether you’re a brand-new artist or a seasoned pro, Cheap Joe’s is here to support your creativity with the tools, advice, and inspiration you need. We can’t wait to see what you create! And if you’re looking for more information about our company, check out our About Us page.
10 Fun Facts to Know About Cheap Joe’s
Ever wondered what makes Cheap Joe’s Art Stuff such a special place for artists? Let’s take a little trip behind the scenes and get to know our company, its quirky...
Mastering the Watercolor Pouring Technique
Watercolor painting has long been celebrated for its delicate and luminous qualities. Among the many techniques available to watercolor artists, the watercolor pouring technique stands out as a captivating method that yields mesmerizing results. This technique allows artists to create vibrant, fluid, and unpredictable compositions, giving life to unique and captivating pieces. For today’s post, we thought we’d explore the intricacies of the watercolor pouring technique and walk you through the process of creating your own masterpiece. You’ll learn which materials are necessary, and enjoy a step-by-step instruction process for mastering the pouring technique. Understanding the Watercolor Pouring Technique The watercolor pouring technique involves the controlled application of liquid watercolor pigments onto wet paper to create spontaneous and captivating effects. Unlike traditional watercolor painting methods where colors are built up gradually through layers, pouring involves the use of gravity to guide pigments across the paper, resulting in a free-flowing, organic appearance. This technique enables artists to achieve stunning gradients, unexpected color interactions, and a sense of movement that can't be replicated with other methods. Materials Required Before exploring into the technique itself, it's important to gather the necessary materials. In the instructional Linda Baker Watercolor Techniques – The Pouring Process video, Linda uses the following materials: Watercolor Paper: Choose a high-quality, heavy-weight watercolor paper that can handle the wet-on-wet application of pigments without warping or buckling. Liquid Watercolor Paints: Liquid watercolors provide intense color saturation and are ideal for the pouring technique. Water Containers: Prepare containers of clean water for wetting the paper and diluting the pigments. Watercolor Brushes: Have a variety of brushes on hand for wetting the paper, blending colors, and making minor adjustments. Masking Tape: Use masking tape to secure the edges of the paper and create a clean border. Paint Palettes and Mixing Trays: These are used to mix and control the consistency of the liquid watercolors. Pipettes or Droppers: These tools allow for precise control when pouring the pigments. Step-by-Step ProcessOnce you’ve gathered your materials, it’s time to start painting: Just follow these steps: Preparation: Stretch and tape the watercolor paper to a sturdy surface to prevent warping. Ensure a clean working area and have all your materials ready. Wetting the Paper: Use a large brush or spray bottle to wet the entire surface of the paper. This creates an environment for the pigments to flow and blend seamlessly. Mixing Pigments: In the video, Linda uses plastic sheets as a mixing surface. Squeeze liquid watercolors onto the palette and experiment with various color combinations and dilutions. This step allows you to predict how colors will interact on the paper. Pouring the Pigments: With a pipette or dropper, carefully drop your diluted pigments onto the wet paper. Start with lighter colors and gradually introduce darker shades. Experiment with pouring from different heights and angles to achieve various effects. Tilting and Blending: Tilt the paper in different directions to guide the flow of pigments. Use a clean brush to blend colors, creating smooth transitions and avoiding harsh lines. Embrace the unpredictable nature of the technique while maintaining some control over the outcome. Drying and Adjustments: Allow the painting to dry completely. Once dry, assess the composition and make any necessary adjustments. You can add finer details using traditional watercolor techniques. You can also use masking fluid to mask areas where you want to preserve layers: Tips and ConsiderationsMastering the watercolor pouring technique requires a delicate balance between embracing experimentation and maintaining control. Begin by choosing a high-quality paper to withstand the pigments' saturation and understand that while controlled chaos is essential, intentional decisions through color selection and blending guide the artwork's direction. Patience during drying is crucial for preserving the envisioned outcome, and protecting your workspace ensures focus without distractions. Capturing the technique's essence lies in letting pigments flow naturally to evoke movement while learning from mistakes and unexpected results cultivates valuable insights for future improvements. This delicate interplay ultimately leads to the creation of mesmerizing artworks that embody the fluid beauty and dynamic energy intrinsic to the watercolor pouring technique. Elevate Your Creations with Watercolor Pouring The watercolor pouring technique is a captivating and experimental method that invites artists to relinquish some control while producing astonishingly beautiful results. By leveraging the power of gravity and fluid dynamics, artists can create unique and dynamic compositions that capture the essence of the medium. As you embark on your own watercolor painting journey, remember that every pour is a step towards uncovering the untamed beauty that emerges from the dance of water and color. For more tips on mastering this medium, check out the Cheap Joe’s Art Stuff Blog. Posts like “How to Master Watercolor Painting” and “Getting Started with Watercolors” both feature plenty of beneficial advice that will have you on your way to being an expert at the craft. And don’t forget to shop Cheap Joe’s for all your watercolor supplies – we have an impressive selection of high-quality products for painters of all skill levels!
Mastering the Watercolor Pouring Technique
Watercolor painting has long been celebrated for its delicate and luminous qualities. Among the many techniques available to watercolor artists, the watercolor pouring technique stands out as a captivating method...
Unleash Your Creativity with Sketchbook Journaling
In a world full of digital distractions, there's something inherently captivating about putting pen to paper to capture thoughts and emotions through the art of sketchbook journaling. This creative outlet not only serves as a visual diary but also fosters self-expression and artistic growth – which is why we wanted to cover the topic in today’s installment of a virtual art workshop! In this post, we'll delve into the captivating world of sketchbook journaling, exploring its benefits and providing step-by-step instructions to kick-start your artistic journey, all with the aid of high-quality art supplies from Cheap Joe's. Understanding the Essence of Sketchbook Journaling Sketchbook journaling is more than just doodles and scribbles on paper. It's a blend of words and visuals, a means to narrate your personal story through art. Whether you're an experienced artist or a beginner taking your first steps into the world of creativity, sketchbook journaling offers a unique platform to capture the essence of your life, thoughts, dreams, and surroundings. It's a window into your emotions, a tactile reflection of your experiences, and a sanctuary of self-discovery. That’s the beauty of journaling: when you look back, you wonder how you ever had the time to do it all. Journaling is inch by inch and not mile by mile – each entry or drawing collects a moment in time, and over the years, that kind of dedication certainly adds up. The Benefits of Sketchbook Journaling The act of keeping a sketchbook journal boasts a multitude of benefits, transcending the artistic realm. Engaging in sketchbook journaling encourages you to see the world with an artist's eye, noticing intricate details that might otherwise go unobserved. Immersing yourself in the process of sketching and journaling can also be incredibly therapeutic, helping relieve stress and anxiety. Over time, your sketchbook becomes a visual record of your artistic evolution, showcasing your progress and growth as an artist. At the same time, a sketchbook journal is a treasure trove of memories, capturing moments in time. Finally, the act of putting pen to paper in sketchbook journaling can unlock the floodgates of creativity, inspiring new ideas and artistic experiments. Step-by-Step Guide to Embracing Your Inner Creativity Embarking on your sketchbook journaling journey is an exciting endeavor that requires no special expertise, only a willingness to explore your inner creativity. You can participate in this installment of our virtual art workshops by following these simple instructions: Step 1: Choose the Right SketchbookSelecting the right sketchbook is crucial, but it doesn’t have to be anything expensive. We recommend starting small, something like a 7” by 7” or 5 ½ x 8 ½ because it takes less time to fill a page. Choose one with good-quality paper that can handle various mediums, such as watercolors, pens, pencils, and markers. At Cheap Joe’s, we offer a wide variety of sketchbooks and journal books tailored to different artistic needs. Step 2: Gather Your Art SuppliesAssemble an assortment of art supplies that resonate with you. There is nothing wrong with just using #2 pencils, although we have found that a mechanical pencil is much easier to use. We recommend a beginner paint set; something portable and simple. Our instructor Leslie Fehling does most of her sketches with an ink line and likes the Pigma Micron 01 size pen because it is waterproof and can be water-colored over. Some basic synthetic watercolor brushes are also a good way to start. Cheap Joe's Art Stuff boasts an array of affordable yet high-quality art supplies to fuel your creative fire. Step 3: Craft a Creative RitualTransform your sketchbook journaling into a cherished ritual by designating a dedicated space and time to create. Choose an inspiring environment, whether it's a cozy corner at home or a serene outdoor spot. This space becomes a sanctuary where creativity flourishes. Set a regular schedule, fostering consistency that deepens your artistic connection. As you settle into your creative space, take mindful breaths to center your focus and release distractions to get yourself in a creative headspace. Step 4: Embrace ImperfectionRemember, sketchbook journaling is not about creating perfect masterpieces. Embracing imperfection is a celebration of authenticity and a catalyst for artistic growth. Every smudge, stray line, or unplanned element adds a personal touch to your work. Recognize that imperfections tell a story of your artistic journey, infusing your sketches with character and depth. By embracing imperfection, you not only liberate your creativity but also nurture a unique and authentic artistic voice. Step 5: Observe and DocumentIn sketchbook journaling, observation becomes an art form as you train your senses to perceive the world with heightened awareness. Embrace the play of light and shadow, textures, and emotions in your surroundings. Capture not only visual elements but also context—jotting down notes and thoughts that create a dialogue between your art and insights. Blend words with images, jotting down thoughts, quotes, or anecdotes alongside your artwork. This fusion adds depth and context to your journal. Step 6: Reflect and RevisitThe act of reflecting on and revisiting your past sketches becomes a profound source of inspiration and self-discovery. By flipping through the pages, you witness your artistic growth, from improved techniques to evolving use of color. Embrace the emotions tied to each piece, recognizing how they breathe life into your artwork. Your sketchbook becomes more than a collection of art; it transforms into a living testament to your dedication, creativity, and the ever-unfolding story of your artistic evolution. Improve Your Craft With These Additional Resources Sketchbook journaling is a captivating avenue for self-expression, personal growth, and artistic exploration. If you’re looking for some extra guidance for your journaling, you can find more tutorials on the website for Leslie Fehling. She also recommends a wonderful book on sketchbook journaling by Cathy Johnson called “Artist Journal Workshop”. Some online resources can be used as well. But don’t spend too much time reading books or watching videos; it is better to just begin sketching, and the techniques you need to create will come along.
Unleash Your Creativity with Sketchbook Journaling
In a world full of digital distractions, there's something inherently captivating about putting pen to paper to capture thoughts and emotions through the art of sketchbook journaling. This creative outlet...
Five Unexpected Health Benefits of Being Creative
I must study politics and war, that our sons (and daughters) may have liberty to study mathematics and philosophy. Our sons (and daughters) ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.” From the Letters of John Adams, Addressed to His Wife - May 12, 1780
Five Unexpected Health Benefits of Being Creative
I must study politics and war, that our sons (and daughters) may have liberty to study mathematics and philosophy. Our sons (and daughters) ought to study mathematics and philosophy, geography,...
Group Art Ideas to Inspire and Challenge
Sometimes at Cheap Joe's, we love tackling unique group art ideas. We also understand that coming up with those group art ideas can be challenging whether you are an art teacher, student, or simply encouraging creativity around you. You might have noticed that I've been absent lately, and I apologize for that! We've been busy working hard here at Cheap Joes, but now that I have a moment, I have something exciting to share that might inspire you! For the past month, we've also been working on a group art idea centered around the beautiful painting, A Wheatfield with Cypresses, by Vincent Van Gogh. Our group art idea was to re-imagine this gorgeous classic painting into a collaborative project done between 36 different artists, and it's finally finished! So how did we do it, and how can you do something similar? 1. PlanningFirst, we chose a famous painting. In this case, A Wheatfield with Cypresses, by Vincent Van Gogh. Next, one of our talented Graphic Designers, Erin, collected the names of all the artists interested in participating and divided the painting into equivalent sections. You can see the divided section of the artwork that I chose, circled below. 2. SectioningOnce every artist was assigned a section, we sent each of them an 11"x14" Joe's Prime Cradled Painting Panel along with a printout of their section, and then the painting as a whole for further reference. We chose to-scale printouts of each section to help us ensure that our edges would line up as seamlessly as possible without a mess of crooked designs. Here's Erin, hard at work, distributing panels and printouts for all the artists. And below, here's one of our fantastic Marketing Assistants, Lori, providing much-needed group art support and unique flare. 3. Create!This part of the process is, in my opinion, the most fun. Each artist is free to recreate their painting section in their style or medium of choice. In my case, I decided that I wanted to make sure my panel lined up with its neighbors as much as possible, so I grabbed a piece of Saral Wax-Free Transfer Paper. Next, I placed the transfer paper between the panel and my printout to trace the major lines to get a good basic shape, paying attention to the bars along the edges the most. Though you can't really see it well in the image above due to the angle, the lines came out perfectly crisp, which is excellent. I've got a solid base down and am ready to choose paints. I decided to go with acrylic paints and grabbed an assortment of our Joe's Prime Really Good Lightfast Acrylic colors that mostly matched the colors I saw in my panel. (I say mostly because I knew to match better, I needed to mix colors for the perfect shades I wanted.) I mixed a combination of Bright Aqua Green, Light Blue Violent, and Titanium white to create the shades I felt matched best. I began with an even layer of a mixture of teal, and while it was wet, I quickly added a few dollops of Titanium White for blending. I chose to add white within the teal so that I could mimic the almost chunky, 3D, and heavy strokes found in the painting, something that Van Gough is most famous for, and I wanted to emulate that as closely as I could. I mixed up some purple clouds for my finishing touches and added the very top corner of the cypress tree that I had in my section. I wanted to give my panel a bit more of a personal touch, something in my own style, so I considered doodling over the basic outlines of my panel. I wasn't sure yet, so I decided to test my idea without ruining the panel to prevent making a mistake I couldn't return from. I decided to tape a sheet of 11"x14" Polyester Film over my panel and began doodling on that instead. I began by just lining the major shapes of my brush stroke texture, and I really enjoyed that effect on its own. But I decided to try and take it a step further and began to doodle lines in some of the corner sections. I eventually realized that I felt as if the little circles were so close together that they began blocking out entire sections of the painting underneath. I tried a second attempt at circles on a larger scale with a different shape, and I thought it looked much better. I was still experimenting, so I continued this process until I mainly had one corner covered where I could take a break, stand back, and gauge my feelings on what I had done so far. I ultimately decided that the doodling of shapes made it far too busy and scrapped my polyester sheet. I did, however, learn that I really loved the way everything looked by being lined in a simple black. So I took my black brush-tip Pitt Artist Pen and decided to go over my lines, but this time directly on my painting. Above is the finished, lined image of my section of the painting and all that was left was to wait to see what the other artists in our group did with their pieces before putting it all together. Here's how it turned out! As you can see, everything lined up so well! I am really impressed with the talent and different interpretations and artist styles on each of our separate panels having turned into a cohesive and natural-looking finished group art piece. It's incredible to see one of our inspiring group art ideas being hung up and displayed as part of an exhibition in the Blowing Rock Art and History Museum. If you get the chance, drop by the Blowing Rock Art and History Museum today to experience fantastic art!Collaborative art ideas are a great way to promote and foster community and learn new group art skills, so we highly encourage you to take a group art idea and run with it!
Group Art Ideas to Inspire and Challenge
Sometimes at Cheap Joe's, we love tackling unique group art ideas. We also understand that coming up with those group art ideas can be challenging whether you are an art...
Oil Painting Tips for Those New to Oils
Hello Artists, beginners and experts alike! This week, our blog post is inspired by a request from Tanya M. Nevin of Van Gough's Ear Paint Studio (check out her work!). She recently inherited a ton of oil paints from her late father, also an artist. Tanya has been painting with acrylics for over twenty-five years and she's not quite sure how to transition into working with oils. Well, Tanya and I are actually in the same predicament! I've never really used oil paints heavily either. So, what do we do when we don't know what to do? I start by asking questions of others that do. I was all to happy to take this opportunity to research the fascinating world of beginner oil painting and share the top 5 oil painting tips I found most helpful. Let's dive in and learn some great first-time oil painting tips together, shall we? 1. Prepare Your Painting Space Oil paints themselves and the solvents you will need to clean brushes with will come with strong scents; as such, you'll want the space you'll be painting in a well-ventilated area. If possible, make sure there is also plenty of room to keep all the items you need in reach and ready, like mediums, painting surfaces, turpentine, brushes, paints, etc. If possible, you may want to make sure your oil painting space is entirely separate from your acrylics or watercolors. In some cases, it's incredibly easy to grab a tube of Opera Rose watercolor instead of oil because the tubes look very similar. 2. Slow and Steady There's nothing more exciting than trying something new and learning a new art medium. However, it can frequently go from exciting to overwhelming very quickly if you jump right into trying to get all the colors, brushes, canvasses, etc. There's no shame in starting small and slowly. It's always good to start with a small painting surface and a limited paint palette to experience the way the paint applies and feels on the brush and how mixing it differs from other mediums you are familiar with. If you're looking for an excellent budget option, did you know that Gamblin creates a free paint called Torrit Grey? Torrit Grey is Gamblin's solution to ensuring high-quality pigments that float in the air of their factories and get filtered away from workers to keep them safe. To keep the environment safe, Gamblin re-uses these pigments to create a one-of-a-kind color tube of grey. Each shade of grey is different, and they also run an annual contest that artists can enter for a chance to win free stuff. 3. Prime your Surface If you don't have some Joe's Prime Stretched Cotton Canvas or Joe's Prime Cotton Canvas Rolls, which are 100% cotton duck that has all been pre-primed for painting with oils, you will absolutely need to prime your surface. Why? Oil paints have oils in them, and when you paint with them on an unprimed surface, the oils begin separating from the paint. Once they separate, they start seeping into an unprimed canvas, wood, or paper and can quickly ruin the piece of art you've worked so hard to create. Luckily, at Cheap Joe's, not only can you get pre-primed surfaces, but you can get highly budget-friendly primer options like our Joe's Prime Really Good Gesso, which starts at $3.59 for an 8 oz jar and can be used to prime for oils and acrylics. 4. "Thick over Thin?" "Fat over Lean?" Have you discovered the phrase "fat over lean" when researching oil painting tips yet, but have no idea what that means? These phrases refer to the layers in which you should try and paint with oils. Thinner paints with less oil for the bottom, or first play, then thicker, more oily paints go over the thinner layer. This ensures your painting dries at the correct rate. If your painting dries at the incorrect rate, you could have cracking. To make paint 'fatter' or oilier, you add more oil to it, and to make it 'leaner' or thinner, you add a solvent such as turpentine or a fast-drying medium. This helps each layer absorb oil from the layer above it evenly. If you didn't know it already, certain colors are known to have faster drying times too, and they can be incorporated into your lower layers. Paints that contain Cobalt, Manganese, and Lead can be added to other paints to speed up the drying process. On the other hand, certain paints are known for drying slowly, such as Quinacridones, and should be avoided on lower layers. 5. Keep Clean Oil paints, like many art mediums, can get extremely messy. In some cases, depending on the ingredients, oil paints can be pretty toxic if ingested or absorbed into your skin—but don't let that frighten you! It's all about keeping your work area and self as clean and organized as possible (and out of reach of children and pets) while learning how to dispose of everything responsibly and adequately. Paints, mediums, palettes, and anything else with oil paint should be disposed of in or at a Hazardous Waste Facility. Rags, paper towels, and items with less mess on them can be contained in a glass jar or a fire-safe trash container. But the containers must be fire safe because oil paints and solvents are highly flammable, and they could spontaneously combust when drying out! Hopefully, these five beginner tips will help you transition into your new oil paints, Tanya! I can't wait to see what you learn and all you can do! Good luck and good painting!
Oil Painting Tips for Those New to Oils
Hello Artists, beginners and experts alike! This week, our blog post is inspired by a request from Tanya M. Nevin of Van Gough's Ear Paint Studio (check out her...
Sue Archer Art Workshop Photo and Interview
Cheap Joe's Terry Henry sits down with artist Sue Archer and covers a wide range of topics. Watch a multitude of free art lessons, art tutorials and other artist interviews at the Cheap Joe's
Sue Archer Art Workshop Photo and Interview
Cheap Joe's Terry Henry sits down with artist Sue Archer and covers a wide range of topics. Watch a multitude of free art lessons, art tutorials and other artist interviews...
When Is A Brush Not A Brush?
When Is A Brush Not A Brush? When it is a Catalyst Tool from Princeton Artist Brush Company. Crafted from flexible silicone or hard nylon to allow artists a new form of expression.
When Is A Brush Not A Brush?
When Is A Brush Not A Brush? When it is a Catalyst Tool from Princeton Artist Brush Company. Crafted from flexible silicone or hard nylon to allow artists a new...
Mary Ann Beckwith Mixed Media Workshop Photo
Check out the class photo from Mary Ann Beckwith's Mixed Media Workshop!
Mary Ann Beckwith Mixed Media Workshop Photo
Check out the class photo from Mary Ann Beckwith's Mixed Media Workshop!
Chat with Artist Linda Baker
In this free artist interview, Cheap Joe's Terry Henry sits down with artist Linda Baker and covers a wide range of topics. A most interesting interview with artist Linda Baker. She really has a lot to say about life and art.
Chat with Artist Linda Baker
In this free artist interview, Cheap Joe's Terry Henry sits down with artist Linda Baker and covers a wide range of topics. A most interesting interview with artist Linda Baker....
Artist Chat With Gerald Brommer
Gerald Brommer Interview August 28th, 2015 Interviewer: Terry Henry Gerald Brommer was born in 1927 in Berkeley, CA. Gerald grew up in Northern California then studied to be an educator in Nebraska where he earned a Master’s degree. After moving to Southern California, he received instruction in watercolor painting from Watson Cross, Noel Quinn, and Robert E. Wood and since the 1950s, he has produced watercolors on a regular basis. The subjects he has chosen to paint vary widely from California coast views to desert landscapes and European city scenes. Throughout his life, he has been interested in geology and rock formations that are often included in his work. He finds their varied textures and unique shapes particularly interesting as subject matter. Gerald has also become an internationally recognized teacher of watercolor painting and is the author of eighteen art instruction books and numerous articles in art magazines. He served as president of both the California Water Color Society and West Coast Watercolor Society. Through the years he has actively exhibited watercolors, holding 110 one-man shows and having his works displayed in 204 group exhibitions. Since the 1960s, he has been in demand as an instructor of watercolor workshops and has traveled all over the world conducting these classes. https://newmastersgallery.com/artists/painters/gerald-brommer/# Cheap Joe's: Let’s begin our chat today with the question I have asked each artist I have interviewed: When did you first realize you were an “artist”? Gerald: I was an elementary teacher for 5 years and taught high school students for 25 years and in the process of doing that, the art stuff was always there as far as the teaching of it was concerned. After I’d been married about 5 years, my wife gave me a set of oil paints for Christmas and I started to paint. However, I really didn’t enjoy oil painting that much and wasn’t that good at it either. Then I took my first watercolor class from Noel Quinn and began painting in that medium and really enjoyed it. So during my teaching career, I was always doing watercolor at home after work. Noel Quinn was the president of the National Watercolor society at that time and he talked me into joining them and so I submitted a painting and became a member. After that, I started showing my work in a couple of galleries and though it might sound crass, I began making more money selling paintings than I was teaching school. At that point, I think during the seventies, I had to make a decision as to what I wanted to do. During that period of time, I literally couldn’t paint fast enough and remember selling 100 paintings that year. That will never happen again. Now you are fortunate to sell ten paintings a year. What I think happened is that people were building houses and needed things to decorate them with and I just happened to be in the right place at the right time. So I quit teaching school with the proposition to the principal that if I couldn’t stand working at home that I would come back and teach the next year. Well, it only took a week for me to decide that I didn’t want to go back to school again, especially since my paintings were selling at that time. So for the next couple of years, I just painted and sold what I made. Workshops were just starting to happen and I kept getting calls to teach and I told them I was too busy. Then one day as I was driving down the freeway and listening to an interview of Steve Garvey, who used to play first base for the Dodgers. The interviewer asked him why he went to school in order to talk with the kids after he quit playing and I will always remember his answer. Steve said, “Baseball has been so good to me I am impelled to put something back into the pot”. It was like he was talking directly to me. I just about drove off the road. So the next time I got a call to teach, I said yes. The class was in San Antonio, Texas and there were about 35 people in attendance and when I started talking, and everybody’s eyes were locked to mine, I realized that this was not like teaching high school. That’s really how I got started teaching workshops. Cheap Joe's: That is a very interesting story and really leads me into my next question. Who has inspired you during your very interesting career? And if you could be any artist in history, who would that be. Gerald: I probably would be Winslow Homer because I really like his work and he was very prolific and he has probably been more of an influence than any other artist. Cheap Joe's: How would you describe your style of painting. Gerald: Most artists don’t do what I do in the sense that I do both abstract and realistic art. When I teach I teach all of it. I might get really excited about doing abstracts and focus on that style when I get home. Over the years I have absorbed techniques from different teachers. As far as influences Robert E. Wood was a friend and incredible painter who I took a class from. I also studied with Millard Sheets and learned a lot from him as well. Whether I work from a realistic point of view of an abstract perspective I mostly paint landscapes. I can look out of the window here at Cheap Joe’s and literally see dozens of paintings. Cheap Joe's: You have briefly described your journey and your style so my next question would be this: what do you want your 25 students this week to leave with at the end of the class. Gerald: Excitement! I have never had any trouble motivating people. You didn’t get to see what we turned out yesterday but it was phenomenal what they did in one day. That’s what I feed off of. I get so excited seeing how the class is responding and what they are doing and learning in the process of taking a workshop. When I begin a workshop I have no idea how it is going to end up because there are twenty-five different people who are all at different skill levels. Some are struggling with their art and I have to work with them a lot more than those who are at the top of their journey. I only have each person for five days and all I can really do is try and motivate them and get them to take what they have learned home and continued with their art. Cheap Joe's: Have you ever had a low period where you struggled with making art. Gerald: After I began painting full-time I can’t remember ever having a low period in that sense. I have always had a goal or a place I wanted to go with my art. The lowest I can remember being was when I broke my wrist last year and couldn’t paint for a couple of months. It hurt to hold a brush and it was really frustrating. Cheap Joe's You have had a long, successful career and are approaching 91. What’s in the future for Gerald Brommer? Gerald: I thought that this (2015) was going to be my last year. I don’t think I even sent anything in for the Cheap Joe’s Workshopper magazine. But I already have six workshops lined up for 2016. Cheap Joe's: In closing could you share with us a favorite story about Cheap Joe’s. Gerald: I think getting together with Joe and his wife Lynda and going out to eat and tell stories is one of my favorite things to do. This place is phenomenal and what Joe has done for art and artists is a story I never get tired of telling. I remember visiting Boone after having done a workshop for North Carolina Watercolor Society in Charlotte. I had not met Joe at that time and one day my wife and I went looking for the store and we drove up and down the main drag looking for this big sign that would be Cheap Joe’s Art Stuff. I was thinking blinking lights and Las Vegas and when we finally saw the little sign at the bottom of the hill I thought that this can’t be Cheap Joe’s. So we found the store and learned the story of how it all began. We met Joe and he asked me to come back to Boone and do a workshop which I thought was really wonderful. It is a great success story and I am proud to be involved. Cheap Joe's: Gerald, it’s been a pleasure talking with you today and we will see you next year. Gerald: Thanks Gerald will be back in Boone teaching September 11-15, 2017. Here are some examples of Gerald's work:
Artist Chat With Gerald Brommer
Gerald Brommer Interview August 28th, 2015 Interviewer: Terry Henry Gerald Brommer was born in 1927 in Berkeley, CA. Gerald grew up in Northern California then studied to be an educator...
