Journey Art Supplies Blog
Tips, Tricks, Thoughts, and inspiration from across the art spectrum.
Marker Showdown: Copic vs Koda
Copic markers have long been considered the gold standard when it comes to alcohol-based markers – but will Cheap Joe’s brand Koda markers give them a run for their money?
Marker Showdown: Copic vs Koda
Copic markers have long been considered the gold standard when it comes to alcohol-based markers – but will Cheap Joe’s brand Koda markers give them a run for their money?
Spring Art Swap!
Hi, everyone! It was a great week over here at Cheap Joe's headquarters! For a little over a month now, our employees have been working diligently to create a one-of-a-kind work of art to be swapped for another unique piece made by a fellow employee! Well, today was the day of the swap, and I am extremely excited to show you the products of some of the amazing artists we have here! The theme, of course, was "spring"--but we encouraged the participants to interpret that however they pleased OR go in a different direction entirely. After all, art knows no bounds! In alphabetical order: Artwork by Alex Skala, retail associate at our Charlotte location. Artwork by Alicia Orlando, a member of our Distribution Center team. Artwork by Aly Perez, manager of our Asheville Retail Store. Artwork by Amanda Chapman, manager of our Boone Outlet Store. Artwork by Annabelle Prince, manager of our Charlotte Retail Store. Artwork by Becky Stines, part of our receiving gang. (This is the panel I got!) Artwork by Bri Stoehr, one of the retail associates in our Asheville location. Artwork by Brian Dubberly, our Marketing Manager. Alicia Orlando also created this piece, on behalf of a new employee in the Distribution Center named Bryan Elrod. Artwork by Byron Cook, our Web Developer is in charge of the entire Cheap Joe's website! Artwork by Carlee Hudson (that's me!), marketing assistant/copywriter/blogger extraordinaire. Artwork by Christy Firk, one of the retail associates in our Asheville location. Artwork by Danie Firth, one of the retail associates at our Charlotte location. Artwork by Dawn Hill, roommate to one of our Call Center gurus, Tammy Guilford. Artwork by Derrick Fowler, one of our Call Center gurus. Artwork by Edwina May, our Workshop Coordinator. Artwork by Erin Guffey, one of our graphic designers, who works on our seasonal sale flyers and orchestrates these art swaps! Artwork by Jacob Woehler, one of the retail associates at our Asheville Location. And here's the back of Jacob's--we're a silly bunch :) Artwork by Jana Smith, another member of our receiving gang. Artwork by Janalee Burke, part of our Distribution Center team. Artwork by Jane Laferla, one of the retail associates at our Asheville location. Artwork by Kevin Brown, one of the retail associates at our Charlotte Location. Artwork by Kevin Bryan, part of our Distribution Center team. Artwork by Lauren Murrell, another retail associate at our Charlotte location. Artwork by Linda Greenup, a retail associate at our Asheville location. Artwork by Lori Inman, the other marketing assistant, in charge of finding awesome new products. Artwork by Luke Russell, one of the retail associates at our Charlotte location. Artwork by Megan Hart, Content/SEO Management Artwork by Meghann Miller Williams, in charge of promotional donations. Artwork by Michael White, part of the Distribution Center team. Artwork by Michelle Dineen, one of our Call Center gurus. Artwork by Phillip Church, part of our Distribution Center team. Artwork by Sally Garner, one of the retail associates in our Asheville location. Artwork by Tammy Guilford, one of our Call Center gurus. Artwork by Taylor Bowers, marketing. Artwork by Terry Henry, part of the graphics team. Artwork by Tippy Kleinman, one of the retail associates in our Boone Outlet Store. And last but certainly not least, Web Alexander, manager/guru supreme of the Call Center.
Spring Art Swap!
Hi, everyone! It was a great week over here at Cheap Joe's headquarters! For a little over a month now, our employees have been working diligently to create a one-of-a-kind...
The Cheap Joe's 2016 Guide to Great Art!
Hello, everybody! Have you guys heard about this year's catalog? Well, not only is it jam-packed with a bunch more art stuff, but the cover is color-able! With how popular and fun grown-up coloring books are right now, we wanted to make our catalog just as exciting! These covers can withstand colored pencils, markers, pastels, pens, crayons, watercolor pencils, and even regular watercolors if you work lightly! With mine, I chose to go with a limited palette and only use Prismacolor Colored Pencils in blues and greens: At first, I was a little worried that the trees would fade into the background, but I think it turned out pretty good considering I didn't have the whole spectrum of colors to work with! Take a look at some of the others from around Cheap Joe's! Megan, our SEO Analyst, put this beauty together. I love how she left snowy peaks on the mountains! Our Website Manager, Byron, has been working on this one in between website updates. His combination of highlighters and colored pencils really makes the cover pop! TJ, one of our Customer Service Representatives in the call center, took a creative approach in making his mountains into pyramids! Now that's thinking outside the box! One of our retail store associates, Tippy, colored this one. Gotta love those purple-mountain Majesties! It's easy to forget that you don't have to color every single shape in its entirety, and by leaving some shapes white, she drew even more attention to the sections that are colored! Taylor, another CSR, has been working diligently on hers during the limited downtime in the call center. It's tough to get art done on the job, but it provides such a relaxing atmosphere! And another of our retail store associates, Kathleen, is slowly but surely filling hers in, too! She's even got a little doodle from Cheap Joe himself to add a unique touch! And these are just a FEW of the awesome covers we've got over here at headquarters. What's even better is that some customers have been sending us photos of what they've done with their catalogs: Marion from Florida sent us this magical wonderland! She even included glitter, though it didn't photograph particularly well. She says this is just her FIRST draft and she plans on putting snow on the mountains in her next one! Then we've got Wilton, also from Florida, who decided to turn one of his mountains into Grandfather Mountain, located just a few minutes from us! Click here to request your own 2016 catalog with this awesome coloring book cover, and then send us a picture of what you create! Who knows, it could be entered into a contest where you could win a prize... :)
The Cheap Joe's 2016 Guide to Great Art!
Hello, everybody! Have you guys heard about this year's catalog? Well, not only is it jam-packed with a bunch more art stuff, but the cover is color-able! With how popular...
Bettering Your Lettering!
Hey, everybody! Typography has always been a passion of mine. As an artist with an English degree, it seems only natural that I'd be drawn to the creative ways you can present text. I've noticed that one of the popular fads right now is hand-lettering. Whether it's in advertisements or on wedding decorations, folks seem to be ditching the somewhat-cold feeling of perfectly straight fonts and are gravitating towards the uniqueness and personal touch that hand-lettering provides. This week, I'm going to go over some ways you can get into and practice hand-lettering for yourself! The easiest way to start is by taking your normal handwriting and just jazzing it up a bit: Here, I've penciled out "paintbrush" in both my regular print and regular cursive--taking care to make it cleaner-looking than it normally would. To make it fancy, all you need to do is thicken parts of your letters. Tip: A good rule of thumb is to widen on the down strokes and leave the horizontals their normal width. Then I went over it in my 08/.50mm Sakura Pigma Micron and erased any residual pencil marks. Not super exciting, but still nicer to look at than the regular old lines. I followed suit with the cursive example, again thickening the vertical lines, only a bit smoother this time. And that's how you fake calligraphy! (Just make sure you wait longer than 10 seconds to erase your pencil marks, or you'll smudge your ink as I did...) If you don't particularly care for your handwriting or are looking to go for something specific, you can draw inspiration from--or simply copy--a font that already exists! Fonts.com has thousands of fonts in a myriad of styles for you to look through and test with your own sentences. I've also found a lot of great, free fonts by browsing Pinterest boards. This one is called Cantoni and I found it through Pinterest. Just like I did with my own handwriting, I sketched it out in pencil first and then went over it in ink. I like this font a lot better than my regular cursive, and with a bit of practice, I could eventually get the motions of the letters memorized and it can become my own! Tip: Practicing your lettering by writing out each letter in order is boring and feels a bit like when you had to learn cursive in school. Instead, use pangrams (phrases that incorporate the entire alphabet), like "The quick brown fox jumps over the lazy dog" or "When zombies arrive, quickly fax judge Pat." This will help you figure out ways to connect letters naturally and find a smooth rhythm in which to write. Something neat I found online is this 30-Day Lettering + Doodle Challenge. These 30-Day Challenges are an awesome and super-fun way to make a habit out of something you want to explore more--I've done writing and poetry challenges before but never doodling and lettering! I went ahead and drew out what I was feeling for Day #4's prompt, "Dreamer." In my head, I imagined a font that was all capitals but with somewhat-thin letters that had slight flourishes. So I took to Pinterest and found Lettersmith. With a few simple accent stars, I had already completed the day's challenge! (It always looks better in ink.) I fully intend to keep this 30-Day Challenge going--even though I skipped ahead a few days. And I can either doodle the odd days, as suggested, or use ALL of the words as prompts for lettering! This guy is another I found on Pinterest, and he's called Bellwethers. Some fonts, like Bellwethers, will come with optional letter flourishes (like how the P and H are swoopy-er than the other letters). Flourishes like this are a great way to draw attention to a single word or add a kind-of border to a short phrase. You can add flourishes around your letters or directly to them, depending on the type of font you're using--printed fonts usually look better with non-connected flourishes that echo the shapes of the letters, while cursive scripts are prettier and more complete with swirly accents either around the letters or connected to them. If you're lacking inspiration for flourishes, there are plenty of templates for those online as well! Here's a small section of a HUGE template I found also on Pinterest--an incredible resource, honestly. Eventually, all of these little tricks and cheats will become second nature and you won't have to rely on outside sources anymore! Once you get to that point and are feeling more confident with your lettering, you can try upping your game with thicker markers or full-blown calligraphy pens! Use the Pitt Big Brush Artist Pen for chunky lettering that you want to cover a large area with. For daintier fonts that still need to cover some space, try the smaller Brush Tip Pitt Artist Pen. If you wanna get REALLY nuts, bust out a bottle of India ink and your tiniest detail brush to fill in your sketches. It's a super quick way to fill in a lot of letters that have varying line widths. A happy medium between using a pen and a brush and ink is one of these Niji Waterbrushes! I filled this one with some water and (maybe not quite enough of) American Journey June Bug and wrote out my word without penciling first. And, of course, we have actual calligraphy pen sets for those of you who are already awesome at lettering. But even if you only master one font, there are still endless possibilities for mediums to use it with and flourishes to add to it. Plus, since to err is human, each instance will be a little bit different from the ones you've done before. And that's what hand-lettering is all about :)
Bettering Your Lettering!
Hey, everybody! Typography has always been a passion of mine. As an artist with an English degree, it seems only natural that I'd be drawn to the creative ways you...
10 Ways to Pump Up Your Coloring Books!
Hello, everyone! This week, I want to talk about one of the greatest concepts to hit the market: grown-up coloring books! It's so simple, yet so revolutionary, I can't believe it took us this long to realize that coloring didn't have to be just for kids! Of course, everyone already knows how to color, but I want to show you ways to take your coloring to the next level! Here are my tips: No. 1) Use pencils! Whether it's colored pencils or graphite pencils, you're sure to get the greatest range of tones with these guys. Here's a stunning horse design from Art Nouveau Animal Designs by Creative Haven that I filled in with only 4 colors--teal, light blue, light violet, and salmon. It's only with colored pencils that I'd be able to blend the teal and light blues in the mane so seamlessly and easily. No. 2) If you're going to use markers, make sure they're fine-tipped and you have a WIDE variety of colors. Unlike coloring books for kids, coloring books for adults tend to have tighter spaces and more intricate patterns to fill in, which means your chunky Crayola Washables ain't gonna cut it. If you're serious about working with markers, you'll need to acquire some that'll reach those tough spots and also compensate for the lack of hues they'll give you. These beauties (also from Art Nouveau Animal Designs) were done in marker, and I think they turned out pretty well. --But that's because I followed rule No. 2 and rule No. 3, which is... No. 3) Vary colors slightly. With some designs, especially the Art Nouveau designs, the pictures can get a little too symmetrical and boring. The best way to break that up is to mirror similar (but not the same!) colors with each other. At the bottom, I used very slightly different shades of green for my lizards, and also the purple curly wurlies. It breaks the picture up just enough to keep your eyes engaged and interested. No. 4) Take it one step/color/shape at a time. I know that seems like something you should already know to do, but it's very, very easy to get overwhelmed looking at a blank design and deciding where to start and how you want it to look. For my horse, I started in on my favorite part first (the horse), then went to the background, and then onto this chain around it. This little monkey on the inside cover was a fun warm-up piece which I started by filling in all the things I wanted to be brown. Giving yourself small goals to accomplish--like "fill in all the brown"--rather than thinking of the entire page as one project will let you really take your time and focus on what you're doing since it'll seem like you've got less to do. And, after all, that's why we're coloring, isn't it? To avoid/relieve stress? So don't stress yourself out! No. 5) Limit your color palette Speaking of stress, sometimes having too many options can make a project seem daunting. My little monkey friend is only surrounded by browns, blues, and purples, but he's still very aesthetically pleasing! The limited palette also gives you the chance to dive into some whimsy--I mean, where on earth are you going to find navy-blue pears? Get crazy! Color your monkey turquoise! Color your sky yellow! The only limit is your imagination. And, well, your palette. And in the spirit of making the picture your own... No. 6) Add your own patterns and textures. Below my horse, there is some foliage. And as nice as those shapes are, I decided that the leaves needed a little somethin' somethin'... I colored them in with 2 shades of green, and then took a third, darker shade and made little lines on the outside. Adding textures and patterns with your pencils or markers is a great way to make your work stand out. Everyone thinks you have to color flat inside all of the lines, but it isn't so! In fact, that takes me to... No. 7) Add to the designs themselves! Here we have the brown parts of my monkey, including this dull-looking brown tree trunk. But I went in and added some lines with my Faber-Castell Pitt Artist Pen and gave that baby some sass! Coloring book artists will often say that they leave parts of their designs with open spaces to encourage the color-er to incorporate their own style into it. So take every opportunity you can to make your picture as unique as you are :) No. 8) Shade and blend! Shading is the easiest way to give your picture TONS of dimension and blending (with your choice of blending medium (mine is a colorless blender pencil, as mentioned in this blog post about blending colored pencils)) will give it the polished, professional look to set it apart from something a kid would do. Here, you can see the delicate care I took in shading the horse's head and body as well as the difference between using a blender (left side of the purple frame) and using nothing at all (right side). But don't stop here! Shading and blending are great tools when it comes to drawing, so why not... No. 9) Incorporate other drawing techniques! To break up the monotony of solid colors, I used used a bit of stippling on my little monkey friend's cloud. You could also try cross-hatching or coloring in swirled or lined strokes. Basically anything you'd do with your own original drawing, you can also do in a coloring book! The stippling on the edges gave it just the right amount of color plus the right amount of white. Which leads me to my final tip... No. 10) Don't be afraid of white space!! It's easy to think, "I have to color all of this in," when looking at a fresh page, but you really don't! I left white space with my monkey friend's cloud and a little on the edges of the page and that drew even MORE attention to the parts that were colored in! And if you still find yourself afraid of or dreading the white space, just...cut it out. I still had a ton of white space leftover on my horse picture, but I really wasn't interested in coloring any more of it in... So I cut out the part I did like and wanted to keep: Now I can paste this in my journal and do some more designs around it or incorporate it into another work of art, like a collage! With these tips, you can now go boldly into your coloring adventures!
10 Ways to Pump Up Your Coloring Books!
Hello, everyone! This week, I want to talk about one of the greatest concepts to hit the market: grown-up coloring books! It's so simple, yet so revolutionary, I can't believe...
